This LibGuide features CNU's collection of American Indian bronze busts by Griffin Chiles.
Photo courtesy of Griffin and Hampton Chiles
The career of this sculptor began at an early age: drawing at two and a half, painting religious murals in churches at the age of ten and creating her first sculpture when she was fourteen. This first sculpture was reminiscent of the sculpture of Maillol, although at this time, the young artists had not seen this great sculptor's work. Later, an art teacher in the upper grades, recognizing her ability, arranged for a scholarship in sculpture at the University of Louisville, Kentucky.
When very young, Griffin had always been deeply aware that the ground beneath her feet, the state of Kentucky, was the hunting ground of the Cherokee and the Shawnee. Also, the many beautiful parks in Louisville, laid out by Marquis de Lafayette, carried the names of well-known Native American tribes -- Shawnee, Iroquois, Algonquin, Cherokee and Seneca. It was here that empathy for these noble and courageous people began.
Her pursuit of study led to New York and then France. She always worked from live models, even when forced to look beyond sculpture for a steadier income. In time, the painting of portraits in oils and pastels led back to the sculpture of portraits both living and posthumous.
Griffin's sculpture of the Stephen Collins Foster is in the rotunda of the Foster Memorial on the campus of the University of Pittsburgh in Pennsylvania. Her commissioned bronze portrait of a renowned economics professor stands at Penn State. A bronze portrait of an esteemed professor of anatomy was unveiled in the Medical School of the University of Louisville. A sculpture of the founder of the International Grocer's Alliance (IGA) was commissioned by the corporation with 100 castings to be given as President's Awards in this country and around the world.
Ultimately, the sculptor began the sculpture portraits of Native Americans, and these, along with portraits of other famous individuals, are in museums, historical societies and universities across the nation, in State Capitols, banks and foreign countries.
Griffin eventually created 52 Native American bronzes. Much research preceded each sculpture and had led her as far west as Arizona and Montana, upstate New York and Canada and as far south as Florida. Her plans were to represent as many tribes as possible. In appreciation, in the Qualla Boundary in Cherokee, North Carolina, in 1996, before the joint tribal councils of the Oklahoma Cherokees and the Eastern Band of the Cherokees, they bestowed upon this sculptor the highest honor when they made her an honorary member of the Cherokee Tribe. Although many awards and honors had been received as her career moved forward, nothing could match the deep emotion felt when given this unexpected honor.
It was taking bronze as far as it would go and with as much skill as a sculptor's hands and heart possessed, to have retained for all time the emotion in these faces in a world where two cultures clashed.
Amadine Griffin Chiles was born on January 13, 1925 in Louisville, Kentucky, and died on February 10, 2009 in Norfolk, Virginia.
References
Amadine Griffin Chiles obituary. Daily Press Obituaries. 13 - 14 February 2009, online archives
(https://www.legacy.com/obituaries/dailypress/obituary.aspx?n=amadine-g-chiles&pid=124063630).
Chiles, Hampton, and Griffin Chiles. The American Indians : Bronze Sculptures by Griffin. Hampton and Griffin Chiles, 1999.